Alive, evolving and pioneering. A complete martial art seamlessly blending the concepts and techniques of Wing Chun, boxing, catch-as-catch-can wrestling and MMA.
Saturday, 15 March 2014
Boxing body shot only sparring
With 12oz gloves
With 7oz gloves At about
At the mid 3 minute point he drops me with a lovely liver shot. We need to get hit so we know how out body will react.
Tuesday, 11 March 2014
Class notes: arms drags and clinching
Once again a session jam packed with information, repetition of previous material and of course new steps on the ladder. In addition it is late in the day when I write this and some of the learning might merge in my words when in reality it was in a different drill.
Arm drags out of the pummel to get the back.
Arm drag to double wrist lock. A new detail I picked up tonight was the 90 degree angle of your arm against his. This means going longer on your forearm as if you do go tight to the wrist the your forearms might be more parallel leading to less control, pain and effectiveness.
Secondly for me was being square. Make sure when you have leaned back with the DWL you turn your hips towards him to complete the move. Turn inside him and not around him.
One hand in the half Thai clinch and one underhook. If your elbow gets caught on his shoulder, don't fight for the full Thai clinch. Pull him in tight with the shoulder control. From here you can turn him away by controlling the head to a lovely restraint which can lead to knee strikes to the face. This control also needs you to move the hips which will ultimately move your feet. It is like a mini version of the boxing footwork whereby we move off line by pivoting away.
Arm drags to get head and arm trap.
[EDIT] WHEN CLOSING THE HEAD AND ARM TRAP, TURN THE INNER FOREARM AGAINST THE BACK OF THE HEAD, THIS WILL HELP MAKE THE MOVE TIGHTER AS YOU ARE ALSO USING A FLEXED BICEP TO CLOSE IT OFFHead and arm resisting the arm drag. Same as last week in terms of detail.
Thai clinch defence counter - reach and cross the centre to take his arm above the elbow for the head and arm control. Again this was covered last week. The extra detail this week was the escape. Martin demo'd on Big Ron who is a big and powerful unit. The key to escape is to relax and circle away from his energy and stand with a straight spine. His energy can only go in one direction so do not fight it. Even when the tension (physically) is up, don't fight it. Use, it, go around, it, let to show you the direction. how to escape - relax, to stop him getting out you must pull him in and not away. Interestingly, these concepts were some of the core ones in Systema which I studied for several years.
Sensitivity drill - the reverse chain punch, using a receiving pak sau, high on the forearm and guide along the powerline just past the chin. Ultimately going to slips but we were just at the first stages of the drill tonight. 2 attacks from this drill.
1: Follow the punch by snaking your arm along the top of his, sort of clasp the upper arm as you step in and take his back from the 3/4
2: Double lap - leave a hand there, move it forward slightly to take the double lop. Grab at the wrist and the elbow, both are natural handles. Hand at the wrist is palm down, hand at the elbow is palm up. Martin talked about tips on when and how to hold/control the arm at the elbow. if the arm is high thumb is up and as the arm lowers the hand rotates. For example, the rear hand which passes the elbow in the head and arm trap, fingers are pointing up as this is the naturally strong position for the hand to be in. You could not perform this technique with the fingers down. Get the missus to throw some slow punches your way and you will see what I mean.
3. Elbow from the outside over the incoming arm
Gloves on:
Jab and jab counter drill. Be at the end of your punches so you are fully protected. remember about the six inches. Be at a safe range when he jabs to avoid eating it and his combinations that would follow.
Jab, counter is a jab and cross, you roll. 3D movement. Struggling to feel the correct motions. My mind knows what to do but somewhere the message to the body is getting jammed...
Jab, jab and left hook counter, he covers by tightly hugging the head and responds with a hook of his own.
Even though the punches we soft fisted, it reaffirms the need for a protective shell, good head movement and footwork and keeping that chin tucked into those shoulders.
Break up the timing to stop him getting used to a rhythm or pattern of movement. This will not keep your training partner sharp. I also think the good thing about the gloves os that punches are thrown to the face as we need to practise hitting!! It was nice to get in the head again after almost a year of no sparring. There is a certain aliveness and being in the moment when sparring. I have always found it to be the highest form of being in the now. Nothing literally does not matter and in not in your head. It is just you and him. More of that please!
Wednesday, 12 February 2014
Chin, punching and footwork refinement video analysis
I know that each of these arts have a different purpose and focus. I will avoid saying who is better or not, but I want to point out what is different about the system we train in.
Wing Chun Boxing – A case study of timing
This is an interesting clip as the man clearly has good hands and movement. That chin is just sitting there. In addition, the person ‘boxing’ and feeding the punches is always punching off target with his right cross!!
Tae Kwon Do world championships
Yes they are fast as crap of a shovel with their feet and are waiting to be KO’d by a foot or shin yet the chin is sitting pretty
Black belt level Karate sparring
Kung Fu ‘Masters’
http://www.youtube.com/watch?v=fQFuX7WpdkE&list=PLB3D58ADC958E8780
Grainy but frighteningly amateur skills from supposed masters of martial arts. I know it was a different time but the chin is still woefully exposed and as for the striking…
MMA
I even think my own chin was too high in this clip from my MMA training.
MMA part 2:
In this one my footwork needs fixing, too much going back and not near enough off lining.
However I am looking forward to applying the new footwork, chin, protective shell and punching refinements to this new system. I do find this type of self-analysis through video an incredibly powerful learning tool, hopefully this is something we can begin to use in our classes.
Saturday, 12 March 2011
Week 42
More practise on the basic roll with changes and defending the cross punch. A new detail was that Martin mentioned the triangle with the apex at the tip of the chin sloping down to the shoulders. This is because the movements for punches are started here, so eyes on the chin.
Pad training:
Warmed up by hitting with a pattern of 1, 1-2, 1-2-1, 1-2-1-2 then start the pattern again. The learning points were to be in balance at the end of each sequence and to have full extension of each punch.
From the wrestlers pummel, push off and disengage then hit the pads with a 2-3-2.
From a position of being roughly controlled and held by the shoulder we worked on being able to hit whilst off balance. This was tough and awkward and hopefully something we will be doing again next week. I am going to take down my gi jackets so the attacker won’t ruin our fine silk garments,
Simplicity and efficiency:
One important point made by Martin tonight was when hitting with repeaters, keep doing it. Why change to another move or technique if the one you are using is working. Surely this is a wing chun concept that too easily overlooked. Too often do you see videos on YouTube of people doing a load of different consecutive moves because it looks good. The videos of the club’s Facebook page of Emin Boztepe highlight this point. His keep flying in with a punch to the face, no matter what technique his opponent throws. The most simple and efficient technique appears to be the most effective.
Linked to this footwork. Martin stated that we should be very wary of people that teach defences against punches where the first move is to move the feet then the hands. It is too slow, too impractical but it looks good, it looks easy and it looks clean. It also probably very ego massaging. The following quote from Bruce Lee highlights this.
‘The quality of a man’s technique depends on his footwork, for one cannot use his hands or kicks efficiently until his feet have put him in the desired position. If a man is slow on his feet, then he will be slow with his punches and kicks. Mobility and speed of footwork precede speed of kicks and punches’ p.142, Bruce Lee, Tao of JKD.
Watch the following video and you will see sharp and fast feet resulting in laser like hand work.
http://www.youtube.com/watch?v=jB3eW0hfy0U
For me, my balance at the end of punches is worse than at the start, therefore, according to Martin, Bruce and Emin, my hands are less effective because of it. Footwork, footwork, footwork.